Banks don’t take millions of dollars and put them in plastic bags and hang them on the wall so everybody can walk right up to them. But we do basically the same thing in museums and hang the assets right out on the wall. So it’s our job, then, to either use technology or develop technology that protects the art, to hire honest guards that are trainable and able to meet the challenge and alert and so forth. And we have to keep them alert because it’s the world’s most boring job. It might be great for you to go to a museum and see it for a day, but they stand in that same gallery year after year, and so they get mental fatigue. And so we have to rotate them around and give them responsibilities that keep them stimulated and keep them fresh.
It’s a challenge. But we try to predict the items that might be most vulnerable. Which are not necessarily most valuable; some things have symbolic significance to them. And then we try to predict what the next targets might be and advise our clients that they maybe need to put special security on those items.
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